Oh, you know each other?

As I travel the country working on events and visiting schools, it always makes me smile when someome says “We had a visit from X, not sure if you have ever come across them?” or “Ah, so you know and get on with X?” (X is a STEM presenter).

Katie Steckles (seriously cool maths presenter) next to an unknown person

There’s a high chance that I know them and they know me. You see, whilst we may seem to operate by ourselves as freelancers or appear to compete for headline shows, we do talk and support each other. The UK Science Communication scene is very close-knit.

It may come as a shock to some people who consider us to be competitors that we may admit to liking each other or (heaven forbid) even recommend someone else for a particular gig. If I am unable to fulfill a potential client’s needs, rather than just say no, I would much prefer to recommend an alternative and point them in the right direction.

But our collaboration goes beyond that. There are regular messages flying around on WhatsApp, email and Slack groups about potential clients, laser safety, the best cameras or smoke machines, plus things like how to get hold of large quantities of borax or veterinary lubricant.

We are one industry with a mission: To engage our audiences with science (in fact, all of the STEM subjects). Sure, we each bring our own expertise or niche to the festival stage, school hall, theatre, online videos, television or radio shows, but collectively we share a common broad aim. With that in mind, why wouldn’t I want to support my fellow science communication colleagues, be it formally or informally?

I have worked with and supported many other presenters behind the scenes on theatre tours and festivals, particularly from a Health and Safety perspective. Whether it is working with Greg Foot on a national theatre tour, supporting production H&S at Cheltenham Science Festival or advising on Christmas show tour safety, I enjoy my work behind the scenes just as much as being on stage.

Of course, I get to see another side to presenters and support them towards best practice in science show H&S. It provides an interesting dual-perspective on the performance world!

That’s why I value being part of a close-knit group of people and organisations such as the BIG STEM Communicators Network. It gives us an opportunity to support each other and, in the longer term, raise the quality bar.

Silicon Republic names Matthew as a top influencer

The Sci-Tech website SiliconRepublic.com has named Matthew as a top influencer in the city of Bristol.

In an article published on 15th February, Matthew is cited as “the UK’s number one firework science presenter” and listed as one of ten of the biggest sci-tech influencers in Bristol.

The website aims to keep readers informed on vital issues impacting STEM (science, technology, engineering and maths). In this focus on Bristol, ten people are highlighted as “people you should get to know from the Bristol area”, particularly for new people moving to the city.

Matthew first moved to Bristol in 1995 to study physics at the University of Bristol and quickly fell in love with the city. When he is not on the road, he actively supports the local science communication scene, taking time to network with early career and aspiring science-communicators at the monthly Bristol SciComm Socials. He is also a regular voice on local radio, including BBC Radio Bristol, BCFM, Ujima 98, and Pirate Nation Radio.

In the words of SiliconRepublic.com: “For anyone with a passion for science, fireworks and pyrotechnics, [Matthew] is a must-follow.”

Rehearse! Rehearse! Rehearse!

Science presenters often have stunts and acts that appear chaotic, funny and a bit haphazard on live stage or television. The truth is, for the majority of us, they are thoroughly rehearsed.

The result is that whenever you see a presenter doing something that appears seamless in a live performance, it is because it has been rehearsed. Yes, we rehearse. Even if it appears to be a first time for them or a surprise on stage, we’ve rehearsed it, especially if we are working with a fellow presenter or guest.

To those of us in the industry, this is a fundamental part of our profession. Each demonstration or stunt is blocked through so that everyone involved knows what to expect and what to do if something goes wrong. It is part of our risk assessment but goes much deeper than that. I like to think of it as a professional standard.

A few years ago, I was commissioned to create a vat of custard for a world record attempt on daytime television. A well-known TV chef was to do it first-time, but we had to talk him through exactly what would be happening to ensure that he understood what would be required and how to do it safely. In short, I tested it and then we had a rehearsal with the main presenter.

This is routine.

However, sometimes the thrill of live TV can get the better of people and the weaknesses in their preparation becomes apparent. Watch and learn from this example on Australian TV recently.

There is a catalogue of failings right from the start of the clip. The person leading the segment appears to be absorbed by the excitement of a live broadcast and is not paying attention to the safety of himself nor those around him. The presenters involved could have been seriously disfigured, blinded or far worse.

When I see a clip like this, I worry. I worry that impressionable people could see this as the norm; that it is acceptable to take these sorts of risks. In this particular case, the mishandling of liquid nitrogen can be lethal. There are asphyxiation, pressure explosion, projectile, frost bite and slip hazards, to name but a few.

Professional science presenters work tirelessly to perfect their demos in order to carry them out slickly and safely in high-pressured, live performance situations. Sometimes they work with specialist engineers or advisers (like me!) behind the scenes. The patter and banter are all worked in afterwards.

I hope that none of our Australian counterparts or crew carry any long term ill effects as a result of this incident. I also hope that TV producers and early career presenters can reflect on and learn from near misses like this.

If you have ANY doubt over a demo that you or someone else is doing, please please please contact an experienced professional for help and advice. We may joke on stage, but we are extremely serious about our work.

Matthew on tour with LabLive17

Matthew has taken to the road with LabLive17 across the North of England.

Kicking off the tour at the Lancaster Grand Theatre, Matthew launched a brand new stage show about fireworks, which looked at how STEM skills are used in creating live spectacles in the sky and on stage. Featuring awe-inspiring pyro demos with seamless transitions between video and the live stage, the new show also involves members of the audience on stage.

Yes, that right – young people, flames and explosives on stage together, all thanks to Matthew’s meticulous show planning and attention to safety.

“True showmanship”

Sharron Pearson, Education Manager at Cheltenham Festivals described Matthew’s on stage presences as “True showmanship”, with the “flexibility and confidence to respond to particular audience needs.”

Matthew provided full Health and Safety management support for the two week tour. He presented shows in the first week and switched to H&S support for the tour in the south of England.

He has earned huge respect from science communication colleagues due to his proactive and can-do approach to Health and Safety. Matthew added: “Managing Health and Safety enables us to do exciting things and entertain audiences safely.”

Matthew appeared at venues in Lancaster, Hartlepool, Hull and Gainsborough. The tour was supported by EDF Energy.

Craig Dohring, station director at Hartlepool power station said: “This was a fantastic event and one which really showed the pupils how science is used in everyday life as well at workplaces such as ours.”

LabLive is a spectacular show for Y8&9 which brings all the fun of Cheltenham Science Festival to school audiences around the UK. It aims to engage inquisitive young minds through an interactive show where they will learn more about the benefits of studying science, technology, engineering and maths at GCSE.

To speak or not to speak?

Two frequently asked questions come up regularly:

  1. “Why don’t you publish a list of your forthcoming firework displays?”
  2. “Why don’t you vlog or post photos from all of your shows?”

The presenter in me often wants to shout about and share my work. However, when I work on a firework display, I am engaged as a pyrotechnician with a professional responsibility for that particular display, on behalf of a client. The client is a paying customer and the priority for my team is to make the show happen.

If we are slowed down by the poor weather or traffic delays to get to site, then standing around and talking to a camera isn’t going to earn me any favours with my fellow crew members, yet alone the client. It is ESSENTIAL that you are a focussed team player in this job.

The success, safety and security of the event are all interlinked, which means that I am not always permitted to disclose where I am going to be at a particular time.

A lot of this depends on the client of course, along with the size, type and location of the display. Often, I will only show on-site footage and pictures, rather than how we got there.

Sometimes a display is a complete secret, to create a surprise for the audience. It is really special to be able to create a surprise like this, but can you imagine the fallout (no pun!) if I gave it all away on social media? It would be a total failure on my part! As such, I’ve spent many nights hiding in fields, on roofs and bridges whilst being unable to say anything public until afterwards.

Make no mistake, keeping quiet is really difficult when you enjoy what you do! It’s like an industrial sponsored silence, but it is all part of the challenge and enjoyment of working in live events.

But of course, many shows are in the public domain and some event managers actually build public engagement behind-the-scenes into the whole package. The launch of Hull City of Culture with Titanium Fireworks is an example of this.

I make a professional judgement, in conjunction with my firework colleagues, site managers and the client, to ensure that what I disclose from a firework site doesn’t give away any key secrets or compromise security. (HINT: We travel with and work with explosives. If you didn’t realise this, go and stand in the corner.)

Over the years, I have earned trust across the firework industry to strike this fine balance and showcase the skills and huge amount of work that goes on behind-the-scenes. Right now, as I write this, hundreds of professionals are working flat-out to pre-prepare the fireworks for displays across the UK as we head into the Halloween and Bonfire Night season.

So where will I be firing from on the main Bonfire weekend this year? A major racecourse and a scaffolding tower on a Somerset beach both feature in my schedule. There may be more, but you know, I couldn’t possibly say. (See above – you have actually read this post, haven’t you?)

I’ll be posting more updates on Facebook and Twitter over the next two weeks as we head towards Guy Fawkes Night 2017.

Stay safe out there!